Entries are now being accepted for the 2021 Olive Cotton Award for photographic portraiture at Tweed Regional Gallery.
The Olive Cotton Award is a $20,000 biennial national award for excellence in photographic portraiture in memory of photographer Olive Cotton. The exhibition is selected from entrants across Australia and is a significant opportunity for established and emerging photographers. The winning work is acquired for the Gallery’s collection.
The exhibition will be on display at Tweed Regional Gallery from 16 July - 19 September 2021, with the announcement of winners on Saturday 17 July, 5pm - 7pm. This year's announcement will be a ticketed event to ensure capacity limits are maintained.
The guest judge for 2021 is photomedia artist Michael Cook.
Before entering online and submitting your image via email please read ALL Conditions of Entry.
Images accompanying your entry must be emailed to AwardsAndPrizes@tweed.nsw.gov.au by 5pm, Sunday 2 May 2021.
Entry form and payment
Email entry images
Entry forms and payments should be made via oca2021.eventbrite.com.au AND entry images emailed to AwardsAndPrizes@tweed.nsw.gov.au before COB Sunday 2 May 2021.
You will need to fill in an entry form and make a payment for each entry as well as emailing a digital image for each entry.
The Olive Cotton Award is open to artists living and working in Australia who are Australian citizens or have been Australian residents for 12 months or more.
Entry is limited to TWO ENTRIES ONLY per person, artistic duo or collective. Each entry must:
- be a new portrait completed since 2 May 2019, owned and created by the artist
- not have been previously exhibited (including online but excluding the entrant’s personal website or social media platform), shown in competitions or awarded a prize
- be photographic, archivally sound, still and two-dimensional
- comply with the size limits and able to be hung on or pinned to Gallery walls. Your entry form must contain your best estimate of finished size in centimetres
The entry fee is $35.00 (incl. GST) per entry and not refundable under any circumstances. It is the responsibility of the artist to ensure they meet all Conditions of Entry.
Entry should be submitted as a DIGITAL FILE only and emailed to AwardsAndPrizes@tweed.nsw.gov.au.
The digital file must be a JPEG file, no more than 3MB. Please name your file using the format: SURNAME_First name_Title.
Suggested picture size is approximately 2,000 pixels on the longest side.
For a FRAMED ENTRY, the maximum size, including frame and any protuberances is either 100cm high x 150cm wide OR 150cm high x 100cm wide.
For an UNFRAMED ENTRY, the maximum finished size, including any border or handling area, is either 100cm high x 80cm wide OR 80cm high x 100cm wide. An unframed entry is accepted only where this presentation is integral to the artwork.
The minimum image size / framed size for exhibition is 20cm x 20cm.
A pre-selection will be conducted at which the Judge will view all digital entries and select approximately 70 artworks as finalists for exhibition. The Judge will be looking for work that fulfils ALL Conditions of Entry, and in particular the Judge will be looking for excellence in photographic technique, creativity and originality to the standards prescribed by the Director, Tweed Regional Gallery.
The Gallery will advise entrants of the pre-selection outcome by email no later than Monday 24 May 2021. After pre-selection, finalist images may be posted to social media or other sites announcing their selection for the exhibition.
Entries selected for exhibition must be delivered to the Gallery ready to hang, and must comply with SIZE LIMITS, FRAMING AND DISPLAY requirements.
A framed entry must be framed to professional standards and ready to hang with D-rings attached to rear, 6cm down from the top on both sides of the frame. Please don’t attach strings or wires. For safe travel and handling consider using Perspex glazing. Please attach a label to the back of framed artwork listing Artist’s Name and Entry Title.
Unframed work will be hung using pins. It is recommended that you reinforce corners on the reverse side. Alternatively, the Gallery will add reinforcing if it is considered that it is required. Unframed works are handled with care but are submitted at the entrant’s risk.
The Gallery reserves the right to not display any work considered unsafe or unsuitable for public display.
All transport arrangements and costs to and from the Gallery, including insurance, are the responsibility of the entrant. The Gallery will take all care, but can accept no responsibility for damaged work.
Address labels and instructions for return must be supplied (eg. courier consignment dockets, Australia Post stamps/labels). The entrant is responsible for booking courier pick-ups within the designated collection dates.
All exhibited entries must be for sale. The Gallery will deduct commission at 33% from the sale price of sold artworks, and will not share commission with other galleries.
Payments to artists will be made after the exhibition has concluded and the Gallery has received payment for the sold artwork. Exhibitors whose work is sold are required to submit an invoice to Tweed Shire Council requesting payment of the wholesale value (retail price less Gallery commission). Invoicing requirements will be advised following artwork sale.
Finalists’ entries must be delivered to the Gallery, ready to hang and clearly marked “OCA” on the outside of parcel, along with Entrant Name.
Receiving dates are between Sunday 27 June and Sunday 4 July 2021 (to be confirmed on notification to finalists).
Entries may not be taken until the conclusion of the exhibition.
- Entries for personal collection that don’t require repackaging may be collected between Monday 20 and Thursday 30 September 2021.
- Entries requiring repackaging will be available between Tuesday 5pm and Thursday 7 October 2021.
- All exhibited entries, not sold or acquired, must be collected by Thursday 7 October 2021.
Selected finalists will be exhibited at the Gallery from Friday 16 July to Sunday 19 September 2021. The Gallery reserves the right to curate the exhibition as it sees fit, including a double or triple hang of artwork.
Judging is scheduled for Thursday 15 or Friday 16 July, following which the Gallery will attempt to contact prize-winners so they can make arrangements to attend the Announcement if possible.
Prize-winners will be announced at the official exhibition opening on Saturday 17 July 2021, at 5.00 for 5.45pm speeches.
First prize acquisition
The $20,000 first prize is acquisitive, and the winning entry passes directly into the permanent collection of the Tweed Regional Gallery & Margaret Olley Art Centre.
Director's choice awards
The Friends of Tweed Regional Gallery & Margaret Olley Art Centre Inc. fund the Director’s Choice Awards (purchase acquisitions) to the value of $4,000. Artworks are purchased at the wholesale value (retail price less Gallery commission). Winners are required to submit an invoice to Tweed Shire Council for payment - instructions for invoicing will be advised.
Director's choice awards
The Friends of Tweed Regional Gallery & Margaret Olley Art Centre Inc. fund an additional $250 People’s Choice Award to be announced following the conclusion of the exhibition. The winner will be paid by cheque from the Friends of Tweed Regional Gallery & Margaret Olley Art Centre Inc.
For the purposes of publicity and promotion of the Olive Cotton Award, entries selected for exhibition may be reproduced, with applicable artist credit line, in print and electronic media - including, but not limited to, exhibition catalogues, entry forms, information sheets, and online. The Gallery reserves the right to reproduce any finalist in subsequent publications by the Gallery in relation to the Award and to reproduce the prize winner and any further acquisitions in relation to the Gallery’s permanent collection.
Artist must obtain informed consent from their subject(s) / guardian / parent, or provide reason if this was not needed or possible.
The Director, Tweed Regional Gallery, reserves the right to make the final decision in respect of any issue relating to the organisation and administration of the Award. The decision of the Judge is final, in both the pre-selection and final judging, and no discussion shall be entered into. Entry to the award constitutes the entrant’s agreement to be bound by the Conditions of Entry.
The 2021 Award judge is artist Michael Cook. Michael is one of Australia’s most significant photo-media artists. A Brisbane-based artist of Bidjara heritage Michael has worked in photography for over 30 years. Since transitioning from commercial to fine art photography in 2009 Michael’s work has been included in major exhibitions all over the world his work is held in major collections including the British Museum, National Gallery of Australia, Queensland Art Gallery/Gallery of Modern Art, National Gallery of Victoria, Art Gallery of New South Wales, the Art Gallery of Western Australia, and the Tweed Regional Gallery & MOAC.
For more information about Michael Cook see:
- https://www.michaelcook.net.au/biography
- https://thisisnofantasy.com/artist/michael-cook/
Your work must be available for purchase because it is an acquisitive prize ($20,000), with additional Purchase Award(s) (to the maximum value of $4,000 wholesale) made following selection of the winner.
The image must be a portrait.
The image does not necessarily have to contain a person – eg. a photograph of a person’s bedroom or office or an object may be considered a portrait. In past years, typically, photographs of animals only have not been favoured for selection.
Selection is at the judges’ discretion. The photographer should have the subject’s permission to take the photograph and enter the award. Nudes are allowable where consent is clear. Discretion should be taken where child nudity is included.
If you have concerns you may discuss with Award Coordinator / Gallery Director, including showing your planned entry image if you wish.
A diptych that has overall dimensions not exceeding the maximum size, and is presented as ONE piece only, is acceptable. Eg. two images framed within ONE frame or printed onto a single canvas or, for an unframed exhibition print, printed onto ONE piece of paper.
Your initial Entry Image should also be presented as one image (ie both images in one digital image file showing correct placement next to each other).
These same conditions can be applied to an image consisting of multiple frames, eg. a triptych or a grid of 20 individual images etc.
The entry you submit must not have been previously shown. It may be similar to an exhibited work – eg. if you took a series of shots and you previously exhibited an image from the series but choose a different one to submit to the Award. If your submitted image is familiar, we may check with you and you will need to be able to demonstrate that it is different to your previously published/exhibited image.
A photograph printed on canvas will be considered a FRAMED entry and is allowable providing the materials and printing produce an archivally sound artwork.
You will be advised via email by Monday 24 May 2021.
- Ensure you haven’t exceeded the maximum size – including frame
- Ensure framing is to a professional standard
- Framed artwork MUST HAVE D-rings positioned 6cm below top of frame
- Do not attach string/wire to D-rings
- Make sure your name and phone number is included on the back of framed work
- Include instructions for return of entry
- Pack carefully so that your packaging can be re-used for return
Subscribe to the Gallery mailing list to receive updates about exhibitions and prizes.
Prizes
First prize $20,000 acquisitive
Director’s Choice purchases up to wholesale value of $4,000
People’s Choice $250 (announced at end of exhibition)
About the award
The Olive Cotton Award was launched in 2005, and is funded by Olive Cotton’s family and dedicated to her memory as one of Australia’s leading twentieth century photographers. The Award has grown and gained national recognition attracting entries from well-known and emerging photographers across Australia. The award boasts a major acquisitive biennial prize of $20,000, selected by the Award judge. In addition, the Friends of the Tweed Regional Gallery and Margaret Olley Art Centre Inc. fund $4000 for the acquisition of portraits from the exhibition entries to be chosen by the Gallery Director. Visitors to the exhibition may also vote for their 'people’s choice', which awards $250 to the most popular finalist.
The Gallery thanks art dealer Josef Lebovic and photographer Sally McInerney, Olive Cotton’s daughter, for their ongoing support of the Award and also the Friends of the Gallery committee for their contributions, both financial and practical, to the Award and public program events. We also thank the many volunteers who assist with the huge task of receiving and despatching artworks and many other facets of the Prize organisation.
A short biography of Olive Cotton
Olive Cotton (1911-2003) discovered the art of photography in childhood and stayed committed to it all her life. Her mother was a talented painter who died young; her father, a geologist, had learnt the elements of photography for his journey to the Antarctic in 1907 and later taught it to his children.
Having graduated with an Arts degree, Olive Cotton worked successfully as a photographer at the Dupain studios in Sydney until the end of World War II, then moved with her new husband Ross McInerney, to the bush near Koorawatha, NSW. For 20 years she had no access to darkroom facilities, but kept taking photographs.
In 1964 Cotton opened a small studio in Cowra and took local portraits, weddings and commissions. After a 40 year absence from the city art scene she re-emerged in 1985 with her first solo show at the Australian Centre for Photography in Sydney, she then concentrated on rediscovering and printing her life's work. A major exhibition of Cotton's works was shown at the Art Gallery of NSW in 2000.
Adapted from information provided by Sally McInerney, May 2005.
Olive Cotton
Past awards
Past winners
Belinda Mason
Taken 2019
lenticular
Trent Parke
Candid portrait of a woman on a street corner 2013
pigment print
Justine Varga
Maternal Line 2017
chromogenic hand printed photograph from 5 x 4 inch negative
Tamara Dean
Damien Skipper 2011
pure pigment print on rag paper
Natalie Grono
Pandemonium's shadow 2015
pigment inkjet print