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Duxford Street Interiors
Friday 22 September, 2017 to Sunday 18 March, 2018
The Margaret Olley Art Centre

The re-creation of Margaret Olley’s Duxford Street home studio continues to fascinate and intrigue visitors to the Margaret Olley Art Centre. The interiors of her Victorian terrace and the adjoining Hat Factory were subject matter for her paintings for over four decades.

Olley allowed a select few artist friends to also work in 48 Duxford Street – Justin O’Brien, Cressida Campbell and Nicholas Harding. This exhibition brings together Duxford Street interiors by each of these artists, alongside Olley’s own.



Margaret Olley
The Blue Kitchen - 1993
oil on board
59.5 × 75cm
Gift of the Friends of Tweed Regional Gallery and Margaret Olley Art Centre Inc., 2015
Tweed Regional Gallery collection
© Margaret Olley Art Trust

 
Go figure - Works from the collection
Friday 13 October, 2017 to Sunday 21 October, 2018
The Withey Family Gallery

Go figure presents a selection of works from the Gallery’s collection that showcase dynamic representations of the human figure.

This exhibition is inspired by a group of spectacular works in bronze by the renowned sculptor Rayner Hoff and his students Marjorie Fletcher and Barbara Tribe, on loan to the Gallery from the private collection of a member of Marjorie Fletcher’s family. These sculptures form the physical and conceptual centrepiece of a diverse display of works from the Gallery’s collection.

One of the primary focus areas of the Gallery’s collection is Australian portraits, and our holdings include a wide range of figurative works that include representations of the proud solitary figure, the classic bust of head and shoulders, the dynamic interaction of a figurative group, and contemporary interpretations of the body.

Artists featured include: Ella Dreyfus, Stephen Dupont, Marjorie Fletcher, Robert Hannaford, Rayner Hoff, Petrina Hicks, Angus McDonald, Rod McNicol, Daniel Moynihan, Monica Rohan, Jenny Sages, Barbara Tribe and Greg Weight.

The Gallery thanks the family of Marjorie Fletcher for their generous loan of works to this exhibition.



Angus McDonald
Pieta 2016
oil on canvas
200 × 225.5cm
Gift of the Friends of Tweed Regional Gallery and Margaret Olley Art Centre Inc., 2016
Tweed Regional Gallery collection

 
The Prime Ingredient in a Big Piece of Pi - Frank Murri
Friday 24 November, 2017 to Sunday 22 April, 2018
The Anthony Gallery

My art practice consists of wall-hung, timber relief sculptural panels; created by incorporating mathematical formulas, theorems and sequences. This unique art form advocates pure abstraction in an attempt to synthesize a design aesthetic.

In this exhibition, I have encoded and carved multiple wall panels with over 10,000 digits of the Pi number (which represents the ratio of a circle’s circumference to its diameter). Within this sequence, I have highlighted (with Primary colours), the first four single digit Prime numbers (2, 3, 5, 7) contained within them, in an exploration of the aesthetic in Number Theory.

By looking into the realm of pure mathematics, there lies within a beauty which transcends its usual form. A quote comes to mind which encapsulates this synergy between mathematics and art.

Mathematics, rightly viewed, possesses not only truth, but supreme beauty — a beauty cold and austere, like that of sculpture.

Bertrand Russell, philosopher and mathematician

The pieces I’ve created are formulated to capture this beauty.

Frank Murri
Newcastle, Australia
April, 2017



Frank Murri
The Prime Ingredient in a Big Piece of Pi - Panel #1 (1-322 digits) - 2016
timber, acrylic and ink on board
94 × 58 cm
©Frank Murri, 2017

 
Textaqueen: Between You and Me - A Mornington Peninsula Regional Gallery travelling exhibition
Friday 8 December, 2017 to Sunday 25 February, 2018
The Boyd Gallery

TextaQueen's engaging portraits are showcased in Between You and Me, the first survey exhibition of work by this fascinating contemporary artist. Bringing together over 30 works, the exhibition highlights TextaQueen’s compelling fibre-tipped marker works on paper, as well as a new suite of photographs created during a recent placement in the Mornington Shire’s Police Point Artist in Residency program on the Mornington Peninsula.

The survey includes TextaQueen’s re-interpretations of the salon nude, as well as feminist re-creations of cultural and historical identities undressed in Australian landscapes. Movie poster portraits depict their subjects battling the apocalypses of colonialism, while recent self-portraits consider broader experiences of racism, exoticism and expectations of cultural authenticity.

The title of the exhibition refers to the intimate relationship between the artist and the sitter. TextaQueen commented, "Between you and me is about the intimacy I share with my model and how this relationship is elevated in the (viewer-artist-subject) dynamic – unlike the traditional salon nude or portrait."





Textaqueen
Save Yourself (self-love self-portrait) - 2013 from the series Unknown Artist
fibre-tipped markers, acrylic paint and coloured pencil on paper
127 × 96.5cm
Corrigan Collection

 
The adventures of Aecap - Alasdair Macintyre
Friday 8 December, 2017 to Sunday 25 February, 2018
The Temporary Exhibitions Gallery

Aecap is artist Alasdair Macintyre’s alter-ego, who takes his name from a blue baseball cap with a large white A on the front.

Through a series of dioramas, larger-than-life sculptures and hands-on activities, this exhibition encourages Gallery visitors to join Aecap and his dog Impasto as they go on a journey to find out what it means to be an artist. This new body of work, created for Hazelhurst Regional Gallery, invites viewers to ride aboard the rollicking Splatsmobile, cozy up to the art-huggy monster, step inside the Junior Artist box or become a Young Master. The exploration, the dreaming, and sometimes the perils are all about the wonder of being an artist.

Alasdair Macintyre hopes Aecap will encourage us to be artists, or to follow art – or both.

This exhibition is on display over the Summer holidays, providing a great destination for the family. Children will undoubtedly enjoy meeting Aecap the artist, Impasto the dog, and participating in all the fun activities on offer.





Alasdair Macintyre
Art Stop - 2016
polystyrene, resin, wood and acrylic paint
185 × 180 × 65cm

 
public/private - Phil Barron
Friday 8 December, 2017 to Sunday 25 February, 2018
The Macnaughton Focus Gallery

I have been painting for 30 years, mostly in my spare time when working in non arts-related employment. Over many years my work/life balance has seen my art practice become more and more important to me, and for the past 6 years I have established a daily painting practice. I have an intense interest in art history and the colours, materials and process of painting.

I am particularly moved by intimate interiors and portraiture, and the paintings in this exhibition depict my private and domestic life in Murwillumbah. Portraits of friends and family, still lifes and interiors from the corners of my home and studio, landscapes that illustrate my town and environment, and works developed through my exploration and study of artists I admire. My work is representational.

My studio is a private space, my creative process is personal. Everything I paint is meaningful to me, each painting signifies a private moment; a personal relationship, an intimate memory, and sometimes an object with hidden meaning. The private becomes public.

Phil Barron
April, 2017



Phil Barron
Interior at South Murwillumbah - 2017
oil on masonite
32.0 × 32.2cm

 
Object - Michael Cook
Friday 15 December, 2017 to Sunday 11 March, 2018
The Friends Gallery

During 2016 the Gallery was thrilled to show the work of Australian artist Michael Cook through our Artist in Residence program. Cook’s photographic series Mother was shown for the first time in Australia, loaned to the Gallery by collectors Alan Conder and Alan Pigott. As a result of this stunning exhibition, the public’s response to his work and his gratitude to the Gallery, Michael Cook generously gifted two suites of his earlier work to the Gallery’s collection.

Object is a series of five photographs presented in a tableau. I first saw these images at the National Gallery of Victoria in 2015 and was immediately seduced by their aesthetic. The scene depicted is luxurious and plush, yet imbued with strong contradiction as the true and startling message of the series is revealed. Cook fashions a compelling sense of theatre and narrative through costume and dramatic lighting, setting the scene and constructing an otherworldly approach to the objectification of race.

Susi Muddiman OAM

Michael Cook is represented by Andrew Baker Art Dealer, Brisbane and THIS IS NO FANTASY + Dianne Tanzer Gallery, Melbourne.



Michael Cook
Object (Vase) 2015
inkjet print
100 × 140cm
Donated through the Australian Government’s Cultural Gifts Program, 2016
Tweed Regional Gallery collection

 
Last Updated: 15 January 2016